Documentary Tracing of The Roots

  • Natalia Depita Universitas Multimedia Nusantara

Abstract

Tracing of The Roots is a participatory documentary that explores the cultural identity of urban teenager whose parents come from different ethnic backgrounds. Many of them, including filmmaker grow up in cities like Jakarta without understanding of their parents’ cultural roots. This film is based on the filmmaker’s personal experience of feeling distant from both traditions and places of origin. Using autoethnography, a method that highlights personal experience and reflection, the filmmaker overviews her identity by visiting her parents’ hometowns: Palangkaraya in Central Borneo and Larantuka, East Nusa Tenggara. These journeys help her reconnect with extended family and explore traditional values still practices in those regions. The film presents cultural experiences that are rarely found in urban settings, such as traditional food, the ways of greeting and the big family traditions. At the same time, it also uncovers similarities between the Dayak and Flores tribes—especially how water plays a vital role in daily life, as both places are surrounded by rivers and the sea. This documentary shows how personal narrative and participatory documentary techniques and autoethnographic methods can be used to explore questions of cultural identity. The documentary used autoethnography, a qualitative research method that combines personal narrative with cultural analysis to examine how individual experiences reflect broader social or cultural meanings. In this creative process, autoethnography guided the filmmaker to reflect critically on her memories, emotions, and identity while documenting her journey. Voice-over narration, recorded conversations with family, and mixed footages from field visits were used to express these reflections visually and emotionally.

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Author Biography

Natalia Depita, Universitas Multimedia Nusantara

Natalia Depita is a film lecturer and independent filmmaker who has been teaching at Universitas Multimedia Nusantara since 2016. Her scientific interests focus on cultural identity studies, documentary, and film production. She has directed documentary films such as Lengger Lanang (2019) and Akar Manusia Urban (2021), as well as short fiction film Balada Dangdut (2014). Her professional experience also includes the production of feature films such as Laut Bercerita (2017) and Surga di Bawah Langit (2020). In the academic field, Natalia actively writes and presents papers, including on the organizational structure of the student film festival (UCIFEST), the characteristics of local film festivals, and new cinematic approaches through interactive films and virtual reality. Through her creative and cultural research she continues to develop an interdisciplinary approach to film education in Indonesia.

Published
2026-06-14