Perempuan dalam Bingkai Patriarki: Kajian Budaya Visual dan Teori Male Gaze pada Film Exhuma (2024)

  • Naufal Setyo Wicaksono Universitas Indraprasta PGRI
  • Rayhan Ali Andriansyah Universitas Indraprasta PGRI
  • Farhan Adam Universitas Indraprasta PGRI
  • Rifki Aghitiadi Mukhlas Universitas Indraprasta PGRI
  • Ismail Al Faathir Universitas Indraprasta PGRI
  • Muhammad Iqbal Qeis Universitas Indraprasta PGRI
Keywords: Feminism, Myth, Visual Culture, Korean Film, Gender Representation

Abstract

The film Exhuma (2024) presents a mystical narrative and visual Korean horror that not only carries a supernatural theme, but also contains the construction of gender myths that represent female stereotypes in a patriarchal culture. This article analyzes how feminist myths are visually displayed in several key scenes in the film, including seating positions on airplanes, grave-digging rituals, and the characterization of the main female character as passive and submissive to male characters. Using Roland Barthes' myth theory and visual culture as an approach, this paper analyzes how the representation of women in the film shapes and reproduces traditional feminine myths such as purity, powerlessness, and dependence on men. The method used is visual semiotic analysis with data in the form of film scene clips. The results show that Exhuma indirectly maintains the narrative of patriarchal myths in a mystical culture.

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Published
2026-04-10