Analisis Regulasi Sensor Terhadap Distribusi Film Impor Di Malaysia: Studi Kasus Film Siksa Kubur

Abstract

Cross-border distribution broadens a film’s reach but often collides with censorship regimes, cultural norms, and legal frameworks. This study examines how Malaysian policy shaped the distribution of Siksa Kubur (Joko Anwar), which was retitled Siksa and shortened. The research problem asks how Malaysia’s censorship mechanisms and sociocultural context drive content modifications and release strategy. Using a qualitative case-study design, we compare Indonesian–Malaysian regulations, analyze official Lembaga Penapis Filem (LPF) guidelines, conduct interviews with the producer/director, and review Malaysian paratexts (posters, merchandise, tickets). Findings indicate stringent oversight on religious matters: although Islamic references are widely accepted, the horror genre’s visual and narrative tropes are considered sensitive, prompting edits and reframing. We conclude that regulatory compliance coupled with paratextual adjustments enabled theatrical exhibition in Malaysia while mitigating potential controversy and audience resistance.